Showing posts with label winemakers. Show all posts
Showing posts with label winemakers. Show all posts

Friday, June 24, 2011

Wine For Normal People Radio : Episode 019 How a Grape Becomes A Wine

By popular request...on this podcast we tackle the very nerdy topic of how wine is made. We tried to follow the flavor and not get too dorky about the technical details.

MC Ice guest hosts again but Rick is making a comeback very soon...he's been taking a hiatus to focus on some important business but I'm excited for his comeback!

Here are the show notes for this week:

Shoutouts to friends on Twitter, Facebook, iTunes, and commenters on email and on the blog




Main Topic: How a Grape Becomes a Wine


The Goal: talk about the important factors in winemaking without getting too technical! We tried to talk more about where flavor comes from in the process.

  • It all starts in the vineyard: the importance of terroir
  • Grape flavors
  • Destemming and crushing and what they do to flavor
  • Fermentation and how yeast can change the taste of wine
  • Malolactic fermentation: What it is and why it matters
  • Aging, another word on oak, and the tale of dead yeas
  • Blending and why the winemaker is an artist

Click here or download the 'cast below...



Please leave us your feedback here (including show suggestions!), on the Wine For Normal People Facebook Page, and on Twitter @normalwine

Thanks for listening!


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Wednesday, November 10, 2010

Mark Haisma’s Gevrey and other burgundies


It’s not every day you have a Gevrey Chambertin producer sitting round your kitchen table showing you his wines but I can honestly recommend it. Far more fun than sitting with a line up of 20 supermarket samples.

You’ve spotted, of course that Haisma is not a French name although turns out his mother was French and his father an Australian who ‘pioneered the use of biodynamics in Australia’ (I find out from his website). We didn’t manage to get round to how he ended up working for Dr Bailey Carrodus at Yarra Yering but for the past 3 years he’s been making wine in Burgundy and has lived there since 2009

The fact that he is unapologetic about using sulphur may disqualify him in the view of some from inclusion in this blog but as I say at the top of the page it’s about the whole package and his attitude to winemaking is both thoughtful and thought-provoking.

Not having his own vineyards yet he buys grapes from growers including Pierre Naigeon which is where he makes his wine. He admits it can be a frustrating process. “They never agree anything until the last minute. With the Clos de Bèze we were told we could have it the night before they picked.”

He aspires to growing grapes organically but ‘at the moment it’s about finding someone with really good fruit. If the vineyard’s like a billiard table without a blade of grass I think I’ve been around long enough to know it’s pretty suspect.”

A monoculture gone beserk
“There are a lot of problems in Burgundy at the moment. There’s a lot of dead soils out there. It’s a severe case of monoculture gone beserk. There’s a lot of homogeneous stuff coming out. Chemical companies keep coming through and telling winemakers you need that and that. The soil is treated with contempt - a base to plant vines in. If you find any kind of live organism there you’re lucky.” He pauses. “Sorry that was a bit of a rant. Pierre is fortunately very progressive, he uses a lot of compost.”

He tries to keep his winemaking simple. “I’m a very boring winemaker. Once the wine goes to vat I want to walk away from it and leave it. I don’t use artificial yeasts. I will chill the fruit if it’s coming in warm because I want a slow ferment. It does its own thing - I don’t plunge or pump over then the wine goes into barrel for a year - 3-4 year old ones for the Bourgogne, 1-2 for the Gevrey and Bonnes Mares and new for the Clos de Bèze. It comes out very clean so I don’t need to filter but if I saw a problem I’d consider it. I’d also fine if I found the tannins excessive but I don’t.”

But he does use sulphur. “It’s an important part of winemaking. I use it in the fermenter but not till the malo’s over and at the end of the winter then nothing until bottling. Sure. I’m interested in making wine without sulphur but I’m not quite ready for that yet.

He showed me five wines starting with his 2007 and 2008 Bourgognes (£13-14). The ‘07 was still quite tight, the ‘08 brighter, juicier and more expressive but both were pure and well balanced - lovely wines to drink with food. “I guess I was trying to make a bit of a statement with my first wine. It took a long time to open up. I want wines to be forward drinking when they're young but capable of going the distance. There’s a lot of dull wine at the Bourgogne level. If I’m trying a new producer I go straight for his Bourgogne.”

Gevrey-Chambertin 2008 (£27-30)
A classic Gevrey with lovely pure fruit and silky tannins but the same freshness and vitality you find in his less expensive wines. “You don’t need your better wines to be heavier and denser, you need them to be more elegant.”

Morey St Denis Premier Cru La Riotte 2008 (£44)
“I love Morey it’s really misunderstood. There’s a Gevrey side and a Chambolle side and then a fine strip which encompasses the village in the middle and this is where this wine comes from.” This was my favourite of the wines. It had a pronounced minerality but opened up on the mid-palate in the most sensuous way. “Why does ’08 need to be thought of as an austere meagre year?” asked Haisma rhetorically

Saint Joseph 2008 Vincent Paris 12.5% £16
A wine that Haisma is supplying to the restaurants he deals with. A real curiosity. I don’t think I’ve ever tasted a more peppery syrah - not only white pepper but green and szechuan pepper with even some capsicum character. “Also very mineral. It comes from vines that are not swamped with grass. It’s a wine that’s alive and vibrant, one that grabs you in the face.”

I didn’t get to try his 2009s but there’s certainly enough evidence on the basis of this tasting that Haisma is a man to watch. His wines are already in a number of top restaurants including The Ledbury, the Glasshouse and the Harwood Arms and stocked by distributors including Caviste, Philglas & Swiggot, the Huntsworth Wine Company, The Sampler, Vinoteca and WoodWinters.

You can also buy from him direct though he was a bit vague about delivery arrangements and what that would cost. The answer is obviously to get in touch with him direct. The minimum order for the burgundies is 6 bottles and an unsplit case of 12 for the Rhones (there's also a Cornas from Vincent Paris).

Having tasted the wines which were far more Burgundian than Australian I wondered if people came to his wines with the wrong kind of expectations. He paused for a minute. “I don’t think anyone who knows I worked for Bailey would think that. He taught me that If you recognise the beauty of the world around you in art, architecture and so on you have a chance to make something beautiful in a bottle of wine not something dense, inky, fat and alcoholic which defeats the purpose of wine.” And on that robust note he left to catch his train. Readmore »»

Sunday, April 11, 2010

Part I: My Interview with Georgetta Dane of Big House Wines

I've met a few winemakers in my time. They are a funny bunch -- some really down to earth, some completely snotty, some as dull as watching paint dry -- just like any other group of people.

The thing that has always been slightly hilarious and perplexing to me, though, is the marketing of winemakers as if they are celebrities. For instance, the large winery for w
hich I used to work spent time and money making over winemakers, giving them new hairstyles and new clothes (and breath mints where needed) to make these half-artisan/half-chemist types into something their audience could relate to. I'm not sure this was the best use of time or funds -- as a public, I have a feeling we'd rather see them as they are and enjoy their wines based on the merit of their taste rather than some image the marketing department has conjured. May just be me though.

So when I had lunch with Georgetta Dane from Big House Wines/The Wine Group -- another big company -- I was, honestly, kind of wary. The wines are named so because the winery is across from a jail and the bottles feature very colorful labels. The web site is interactive and very marketing oriented. I wasn't sure what to expect. I was just hoping that I was going to have a pleasant lunch where I wasn't being told that Big House had better wines than Bordeaux, and Georgetta was a wild and crazy winemaker that everyone should love.


Wow, was I pleasantly surprised.

I arrived at the French-American Brasserie (great ATL restaurant, BTW) to find a young, attractive woman in great outfit (she had on a scally cap!) and a lot of class. This woman is cool, real, and smart as a whip. I loved her, and objectively, thought most of her wines were ridiculously under-priced and stuff that I would drink and recommend for casual sipping to anyone.


I didn't take a tape recorder, so I'll chunk this post out by topic and you can pursue whatever seems of interest...


Growing up in a USSR satellite and the role of wine

Georgetta is Romanian born, and while
she was growing up, the country was a satellite of the USSR. Although technically the country had sovereignty, it was really behind the Iron Curtain and was, for all intents and purposes, part of the Soviet Union.

The wines of Romania have historically been made of native grapes. Sadly, during Communism the focus moved from these beautiful indigenous berries to hearty hybrids that could pump out nasty bulk wine to feed the drunken masses.


With the breakdown of the Berlin Wall, Romania (which has a lot in common with Western Europe. In fact, Romanian is a romance language, which Georgetta told me was close to Portuguese and Italian) was in the process of figuring out how to produce premium table wines once again. In fact, before Georgetta left Romania, she and her husband had a wine-related business focused on boutique wines, so it seems there is a glimmer of hope that in the post-Communist era and there may be some cool stuff coming out of that country in the future.


How did Georgetta get to the US and come to work at Big House?

With a degree in food science from a prestigious Romanian university and an entrepreneurial
spirit, Georgetta found herself working for a winery in southern Romania. Things were going well.

On a fluke, Georgetta's husband, also a winemaker by trade, entered a lottery for a green card to the US, thinking he didn't stand a chance of winning. He did.

And a few weeks after Georgetta's daughter was born, the family packed up and moved to Monterey, CA, the only place in the US where they had a Romanian friend of a friend. Georgetta spoke no English, only a bit of French, and travelled with her husband and newborn around the world to her new life in a small apartment.


Arriving in the fall, right in time for harvest at Kendall-Jackson, Georgetta's husband started there and worked his way through the chain at several large wineries, exhibiting skill in the craft of winemaking. Georgetta got a job at KJ as well. Her ambition, smarts and creativity allowed her to shine. She quickly showed proficiency and a "je ne sais quoi" for blending wines. She was working at The Wine Group when Big House and Cardinal Zin wines were purchased from Bonny Doon Vineyards in 2008. She became the lead winemaker on both these brands.


What an American story!


Georgetta's winemaking philosophy

Big House Red and White are each blends of multiple varietals. Georgetta told me that at her first harvest, there were 42 grape varieties to choose from to go into the red and white blends (Big House Red & White).

That's an overwhelming number of wines to combine for most, but Georgetta relished the challenge. She has a very sensitive nose so that makes it easy for her to identify components that will combine in the recipe for a great product.


"Everybody brings something to the party," Georgetta says of her blends.

Georgetta's take on the differences between male and female winemakers

Georgetta cites that men and women can come at winemaking differently -- men view it as a science with precision and process, whereas women may view blending, especially, as more of an art. She joked that she tells the men at her winery "let me do the cooking!" which, given the value to quality ratio of the wines, seems to be good advice.

Talking Turkey: How does Georgetta feel about making wines at a lower price with kitschy marketing?

Maybe I shouldn't have asked this question, but I was curious and she was cool, so I did it (yikes, was that too harsh? I thought you guys may want to know this).


Her answer
was simple: she loves wine, and she couldn't work for a conventional, staid brand that made the same varietals year after year. She loves Big House because it allows her expression -- she gets to throw in a dash of this and a pinch of that into her blends and it's different each vintage. She is a little funky and eccentric herself and feels the brand is a great match for her. She's quite proud that they are such great value for the money. Making Merlot and Chardonnay year after year with no degrees of freedom would seem stifling to her.


I loved my few hours with Georgetta and thought she was terrific. I thought it would be a little overwhelming to post my mini-reviews of the wines here, so I've posted it in the next post. Please click on that one to learn about the wines!

For more information on Big House, please see their site: http://www.bighousewine.com/
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