Monday, May 17, 2010

I'm Now a Certified Sommelier with the Court of Master Sommeliers! Thanks To All!

I had a great moment yesterday. After much study and tasting and tableside practice, I passed my Certified Sommelier Exam through the Court of Master Sommeliers. It was a tough exam and tough day, but with a little bit of deep breathing, a good dose of studying, and a HUGE bunch of support from my wonderful husband, M.C. Ice, my family, and all my fabulous friends, I did it!

I feel great and am better for having studied more. The blog only gets better the more I study, I think. I hope you agree!

Thanks so much for reading and passing the blog on to other friends. Readership keeps getting stronger and I'm completely honored and humbled that you think enough of the blog to keep coming back!

A million thanks to you all! Readmore »»

Friday, May 14, 2010

Vibrant Rioja Tasting: A Study in Contrast of Classic and Modern Style Wines

Thursday was a tasting bonanza -- I was so fortunate to have my wine mentor and friend, Eric, bring me to the Veuve Cliquot tasting at the Four Seasons in Atlanta, and then my dear friend Beth (one of the best people and wine women I know, whom I respect, adore, and am blessed to know!) invite me to the Vibrant Rioja tasting at ONE Midtown Kitchen (a sister restaurant to Parish where I do a monthly tasting). I took copious notes at the Veuve Cliquot Champagne tasting, but also had an amazing opportunity to meet the winemaker, who promised to send more detailed information to me, so I'm going to hold off on reporting about that amazing experience until I get those notes (probably Tuesday of next week -- it's worth the wait!!!).

That means today is all about Rioja, the region and wine of Spain with which most people are most familiar.


This is going to be a bold statement, but I'd say Spain is THE rock star of the wine world these days. It's shown that a country with the foundation for great wines can bring new fans into the fold by reinventing itself. I'm a giant proponent of the third largest producer of wine in the world (and if you haven't travelled to Spain yet, put it on the list because it is one of the most diverse, fun, fascinating places in Europe).


Spain has made wine since the Phoenicians landed in the Jerez (sherry) region in
Southern Spain in 1100 BC (!). There are vineyards throughout the country, but some of the best lie in the north, which is where Rioja is located. In the mountains of north-central Spain the Rioja (named for the River Oja or Rio Oja) region has been making wine since the 2nd century BC. Although already recognized for its natural bounty, the region got a real boost in the1860s when Bordeaux experienced an infestation by a pest called phylloxera, which devastated vineyards and wiped out crops (BTW -- this is the downside of globalization since the pest came from the US).

What was France's nightmare was Spain's fortune. Talented winemakers from
Bordeaux, which is right over the Pyrenees Mountains, came to Rioja and started making wines in the French style. Quality improved and this region became Spain's crown jewel of wine, ready for export and publicity that was well deserved.

There are three growing regions in Rioja -- Rioja Alta, Rioja Alavesa, and Rioja Baja. Alta produces full wines with lots of great fruit. Alavesa has more firm tannins and lots of acid. Baja is kind of desert-like and produces very alcoholic wines.

Most red Riojas are a blend of the Tempranillo, Garnacha (this grape is native to Spain but the French are awesome marketers so most people know it as Grenache), Graciano, and Mazuelo grapes. White Riojas taste a little like Sauvignon Blanc and are made mostly of the native Viura grape. The Rosados (pink), which are fabulous, are made from Tempranillo and Garnacha for the most part.

Tempranillo (temp-ra-NEE-yo) does well with oak, which adds vanilla, tobacco, and leather flavors to its juicy berry, cherry, and herbal nature. Garnacha (gar-NACH-a) adds spice and alcohol to the blend. Graciano (graa-cee-AHN-o) is really low yielding but high in tannin and is very aromatic, with a big black berry, violet, mint, and herb aroma to add to the blend. Mazuelo (ma-SWAY-lo) is also known as Carignan (cahr-ee-NYAN), and gives raspberry and cherry notes to the blend, as well as some needed acid to balance the rich wood tannins from Rioja's extensive oak aging regimen.

I obviously love wine, but part of the reason it's so interesting is because every region has it's nuance. In France they are obsessed with the classification systems (Crus and Classes in Burgundy, Champagne Bordeaux) and in Spain, they are all about age, specifically how long the wine has been aged in oak. Give that, there's a proportional relationship between age and price, so if you're going shopping for Rioja here's vocab you must know:

Joven (HO-ven) =no oak age. They usually just say the brand name so if you don't see any of the words below on the label and it's cheap, it's probably a joven.

Crianza (Cree-AHN-sa) = 1 - 1.5 years in oak barrels and at least 1 year aged in a bottle.



Reserva (Reh-SEHR-vah) = 1.5 - 2 years in oak barrels and another 1-2 years in a bottle before release. More complex than a Crianza.



Gran Reserva (Gran Reh-SEHR-vah) = 2-3 years in oak, 3 years in the bottle. They only make these in great vintage years when Mother Nature cooperates. According to Vibrant Rioja, who hosted the tasting, these are known as "Meditation Wines," to be enjoyed while contemplating life (I personally just like to contemplate the wine, but I AM kind of a winedork).


Ok, so with that out of the way, let's get to what this stuff tastes like...which varies enormously.


Why? Because Rioja has changed recently. The wines used to be aged for VERY long periods of time in American oak, which is super pungent and sometimes makes you feel like you need to pluck splinters out of your gums. American oak is the opposite of subtle -- wines aged in it usually have a coconut, pencil, 2 by 4 quality to them that, in the right wine (one with a lot of fruit that needs some finesse) is a good thing, but in a more subtle wine is a bad thing. Nowadays winemakers have spent the extra cash for French oak, which is more refined, and have opted for more juicy fruit in their wine. There is also a wave of new producers who kind of eschew the old style and are making super-fruity wines. All are interesting and have merit, but it's important to know what you're getting yourself into before you put down the cash for a bottle.

As you can imagine, when presented with a tasting of 15+ wineries from Rioja, you've got to find a way to narrow the field. I tried about 10 of the producers and I was seeking stuff that I could tell you about that was worthwhile -- either super classic styles or newer ones that were of interest. I found some great stuff and I'm going to share them below in short blurbs, so you can figure out what sounds good, buy it and then comment either here or on Facebook so we can all benefit from your ideas.

I'm going to break this up into Classic Styles vs. Modern Styles. As you read about these, see which is more interesting to you and then make sure to describe your preferences when you go to the wine shop or restaurant. Here goes...

THE CLASSICS
Marques de Riscal. Started in the 1850s, this is just about as classic as you can get. These wines are always solid examples of Rioja's tradition. I tried the Gran Reserva, vintage 2000 (I went right for the good stuff! It's about $36). This was spicy and oaky, and had a very traditional quality of stewed tomato that sounds gross but is really delicious when you put it with the spice and oak. This is a wonderful wine and one that I encourage you to try if you want to see what Rioja is all about.


Muga.
Started in 1932, this Bodega (winery) quickly gained recognition and acclaim for being unflaggingly faithful to Rioja and its traditions. This is a serious operation -- they have their own cooperage on site, and make all their barrels as needed (very unusual and expensive but cool!). All the wines in this l
ine are stunning and most are perfectly classic as well. The 2009 Muga Rioja Blanco (white) had aromas and flavors of lime, grapefruit, and grass and a slightly waxy texture that was lovely. It was a bit bitter and spicy from the oak, and super refreshing. The Muga Rioja Unfiltered 2005 was another classic example of Rioja -- there was the familiar tomato flavor enhanced by rich plum and black cherry. I loved the oak on it -- vanilla, pencil lead, and leather were simply delicious. It's about $30.



Sierra Cantabria Crianza 2006.
This was the real surprise of the tasting for me. Named after the Mountains in which the winery is located, this is the youngest of the three classic wines I'm writing abou
t (crianza vs. reserva and gran reserva). This wine is about $16 and is a complete steal. Red cherry, plum, and that classic cooked tomato flavor dominate and there is this phenomenal balance of spice like a chai tea, leather, and vanilla toastiness to round out the palate. I've had the lower end Tinto and haven't been impressed, but I really enjoyed this wine, and hope that I get an opportunity to try the Reserva and Gran Reserva sometime too. Seek this one out!

Others that you may know
...So I tried three other big Rioja brands as well -- Campo Viejo, Bodegas Montecillo, and Bodegas Faustino. I'm sure you've seen them around. I have had the Crianza and Reserva in each of them but tried their Gran Reservas as well at the tasting. I hate to say it, but although classic in style, the Gran Reserva in each of these just didn't hold a candle to the ones above. They make decent wines at the low end, but if you're going to spend $30+ look for Muga, Riscal, or Sierra Cantabria.


MODERN STYLES

These styles are much more fruit forward with more subtle oak. I like these wines, but I find they lack the complexity of the ones above. They are definitely more like New World wines, so if you like the splinter-y quality of the ones above, skip these. Here are the greatest hits:


Bodegas Orben. From a newer winery, but one that still uses 60 year old vines, this wine packs a punch. It's mostly Tempranillo and has lush blackberry, black raspberry, black plum, and other dark fruit flavors. This wine has massive tannins and is absolutely fantastic, but it doesn't have the oaky spiciness that I find in the more traditional Riojas. If you don't like the oak in Rioja, the 2005 is a great modern style to try for $35.

Muga Torre 2006. Wait, didn't I just say that Muga was an awesome classic producer? Yes, I did. I was just as surprised to see that at their top end, they strayed from tradition and had a wine that was opaque in color, bursting with black fruit aromas and flavors and had softer tannins and tasted like a good California Merlot even though it is 75% Tempranillo, 15% Mazuelo and 10% Graciano, which are traditional varieities. Either way, it was delicious wine and a great example of the modern style of Rioja. For $75 it's pricey, but good if you get the chance to try it.

Bodegas Dinastia Vivanco makes fruity wines in a modern style. Apparently the property has a must-see wine museum that offers visitors a deeper understanding of how the wines of the region are made. Very cool and on the list for when I get over to that neck of the woods. I loved the Blanco (white) -- it was so fresh and fruity and the addition of a little bit of Malvasia to the Viura made it less bitter and softened the acidic citrus that is typical of the latter. The Reserva was very fruity but also had a balsamic vinegar note to it that added complexity to the dark fruit compote character of the wine. At less than $20 a bottle these wines are great deals and great examples of new style Rioja.

Finally, the Baron de Ley Finca Monasterio 2001 was oh-so-smooth. It was dark in color, fruity, delicious and tasted very modern and clean, with jammy black fruit and subtle tannins and acids. I didn't really love their Reserva or Gran Reserva, but this special selection was simply delicious and is well worth the $35.


Sorry for the long post. I hope this gives you more of an idea of the spectrum Rioja is offering and helps you sort through the brands and selections when you head to the wine shop or look on a menu. Let me know your thoughts! Readmore »»

Sunday, April 25, 2010

Take Some Action: Fight A Bill That Would Block You From Receiving Wine Direct From Wineries!

Oh, the government is up to it's tricks once again. We could all really lose out if this under-the-radar bill gets passed. I'm not usually one for activism, but this is just plain WRONG, so I'll raise the issue so you at least know about it (although I do hope you'll be moved to action!).

So there is a bill, HR 5034 which is essentially trying to block our right to get w
ines shipped directly from wineries (which the Supreme Court okayed in 2005, BTW).

That's right, say bye bye to your favorite wine shipments from California or elsewhere. Basically, the bill is from the middle-men/wine distributors who are worried they are going to lose their cut of the action if wineries ship direct to us at lower prices.
This bill removes the ability of individuals to challenge state law regarding regulation of alcohol, even if that state law is in conflict with federal law. So states have absolute rule and if you live in a state that isn't alcohol-friendly (oh, like my state of Georgia), you have no recourse because you can't take your issue to Washington.

To quote the site that I'm about to send you to so you can send a note to your congressperson Free the Grapes:

HR 5034 is bad for consumer choice, bad for the nation's 6,700 wineries as well as its breweries and distilleries.

Please convey your opposition today.


Click here for an easy way to protest this erosion of consumer rights. If you scroll to the bottom and fill out your info, they will fax a message to all your congresspeople on your behalf letting them know you think this bill is crap.

Thanks and I'll keep you posted!
Readmore »»

Friday, April 23, 2010

Tasting At Parish Food & Goods on Reds for Summer: April 28


If you're in Atlanta, please come see me! I'll be at Parish on April 28th talking about...

Light Reds and Roses for Summer

We’re having perfect spring weather but inevitably the heat will arrive soon in Atlanta. As we usher in the scorching summer, we’ll be tempted to usher out heavy red wines. But what’s a red-lover to do? You can’t stop drinking wine for 4 months!

Well, if you just don’t like white wine, and don’t want to drink Cabernet Sauvignon or Syrah when it’s hot (and we don’t blame you!), there are plenty of other red options for you to try.
In this class we will taste and learn about 4 red wines and 1 rosé that are lighter in style and appropriate in hot or cool weather. We’ll discuss the wines and how to spot them on a wine list in a restaurant.

Please join us to learn about light and refreshing reds that you can drink all summer long!

Wines: 4 lighter style red wines and 1 rosé wine will be served with the Chef’s assortment of charcuterie from the Market at Parish.
Cost: $25.00
Where: Parish Foods and Goods, 240 N. Highland Ave., Atlanta, GA 30307

Call 404-681-4434 to make your reservations today!


Oh, and don’t forget to wear dark clothes if you can, we don’t want any red wine dripping on your favorite white shirt…

Look forward to seeing you there!!!
Readmore »»

Tuesday, April 20, 2010

Pride Mountain Merlot: The Merlot to Which Every Cali Merlot Should Aspire

I've been pretty vocal in other posts before about how disappointing I find California Merlot to be. Let's face it, to most California vintners Merlot is an afterthought. Not considered to be a flagship like Chardonnay, Cabernet Sauvignon, or Pinot Noir, it can't command as high a price so it's relegated to the post of being a necessary part of a portfolio -- kind of like the fat guy on a bad sitcom.

It just bur
ns me up. Why? Because the grape deserves better.

Merlot is the most widely planted red grape in Bordeaux and there it achieves heights of elegance, finesse, and delicacy that are simply beautiful. Petrus, the most expensive wine in the world, is made of 95% Merlot (and 5% Cabernet Franc). In France, the grape is given deference, respect, and cared for in a way that allows it to shine.

So how did it become so lame in Cali? In my mind, there's a very clear path that this grape took to become second fiddle to Cabernet Sauvignon and it all started in 1991.

This was the year that 60 Minutes aired something on "The French Paradox," which essentially
states that even though the French eat diets high in saturated fat, they have a low incidence of heart disease... due to their consumption of red wine. Americans, looking for any easy way to justify eating horribly bad, fatty food sans guilt, went out in droves and purchased red wine. Most found Pinot Noir and Cabernet either too complex or too expensive, so Merlot was their Golidlocks choice. Soft tannins, ripe, lush fruit, and a decent price -- the early 90s saw a big uptick in purchase of this varietal.

Wine is a business. The laws of supply and demand work as well in this business as they do in the microchip biz. People wanted light, fruity Merlot and California vintners saw the second coming of the Gold Rush. Whee Haw! They planted Merlot in every nook and cranny they could find and pumped out the stuff in oceans.
Producers held the prices of the other varietals and made Merlot their cash cow. Americans spent the 90s drinking inexpensive Merlot. In fact, according to the Impact Annual Wine Study, from 1995 - 1999, American consumption of Merlot grew nearly 5-fold (BTW -- I shudder to think about the quality back in the early boom years. It takes at least 3 years for a new vineyard to produce grapes that can make wine, so agriculture needed to catch up to demand. I guess that's why growth really exploded in the late 90s).

The thing that kills me is that California keeps betting on handicapped horses. Merlot is not an
easy grape to grow right. It's got thin skin so it's susceptible to rot. It buds early, which means a late frost in the spring can damage the crop. It doesn't thrive in fertile soil and it's best when the vines are old. The biggest problem in a sunny area, is that the grape overripens quickly and can lose flavor and complexity in a matter of days. Pinot Noir, the more recent darling of California, has even more issues when it comes to growing. I guess they like a challenge, but I wish more winemakers would rise to when it comes to Merlot so we didn't have just a glut of non-descript red wine labeled Merlot.

Let me end my lament here, though. Fortunately, there are some producers that do Merlot right. Most notably Duckhorn and Pride Mountain. I had the very fortunate pleasure of meeting the National Sales Manager from Pride recently and he gifted me a bottle when I expressed my love for their wine and my respect for the care they give to Merlot.

Pride Mountain Vineyards sits on the county line of Napa and Sonoma, atop Spring Mountain, one of the best winemaking areas in either county. The vineyards are at 2100 feet and since 1990, the Winery has churned out amazing wines from this ideal location. It's a family operation, started by the late Jim Pride in 1989 (a dentist with a yen for farming), and Pride has a stellar, well-earned reputation.


Given how much I love this wine, I thought I'd review it. Although it's more expensive than normal stuff, it's a knockout. It will not disappoint and it's something you should experience if you want to see what California Merlot should and can be.

So here's the review:

The Wine: Pride Mountain Vineyards Merlot
Where It's From: 56% Sonoma County, 44% Napa County
The Grapes:
94% Merlot/6% Cabernet Sauvignon
Vintage:
2007
Price:
$56.00

Color:
A dark ruby with a brown, nearly amber rim, the wine was the color of pomegranate juice. It was rich, with very big tears that stained the glass (the things that drip down the sides of a glass after you swirl are called legs or tears and they indicate alcohol content/body). This is no powder puff Merlot -- you can just see it in the glass.

Smell:
Wow. Intoxicating was the word that came to mind (not in the frat boy way, in the
'ummmm that's delicious' way!). A bouquet of violets, iris, and rose petals just popped out of the glass. Ripe plum, black cherry, licorice, and cinnamon, with some dried oregano, nutmeg and a little bit of orange peel made this wine savory and sweet smelling all at the same time. Although you can sense the high alcohol (14.6%) from the burn in your nose, it's grounded by the floral, fruity and lovely earth aromas that are completely in balance. I love that on the last sniff I got a distinct note of potting soil. What a wine. I could go on for days.

Taste:
Tasting it, the wine reminded me of baked plums and rhubarb pie, with cinnamon, nutmeg, and clove flavors. There was this insanely delicious sensation of rich earth, potting soil, and wet clay, which sounds gross but was just succulent.

The wine went from fruity to flowery to spicy. There was a balance between the alcohol, tannin, and fruit that made this wine firm and bold, yet sensual and silky at the same time. The finish was rich, full, and lingering and just made me want to drink more.

Food: Get something hefty for this wine -- roasted meats and veggies would do well. I also think you could enjoy this on it's own. It's spectacular either way.

Drink or Down the Sink?: If I haven't been overly effusive yet, let me get there now. This is clearly a wine to DRINK. It's not too fruity, it has lovely earth flavors and aromas (especially for California)
, it is smooth and enjoyable yet has an excellent tannin structure and the finish is outstanding -- balanced, lush, and intense. This is a wonderful wine vintage after vintage. Hats off to the Pride Family.

I'd love to hear your thoughts so please leave a comment! Readmore »»

Tuesday, April 13, 2010

Part II: A Wine Tasting With Georgetta Dane of Big House Wines

Hopefully you read my interview with Georgetta Dane, winemaker for Big House Wines. She was a great lady with an interesting background and produced all the wines I'm about to review.

This post is a continuation of the interview, as we tasted through the line of Big House Wines.

Big House is in the town of Soledad in Monterey County on California's Central Coast, just south of San Francisco. It's across from a jail, hence the name "Big House." The Winery's two flagship wines are their Red and White, both blends of Mediterranean varieties, which vary based on the harvest. These wines were launched by Bonny Doon, who sold the brands to The Wine Group, along with Cardinal Zin in 2008.

Apart from the fact that the flagships are blends, which is uncommon in our varietal craving country, another interesting feature of the wines is that they use micro oxygenation, a winemaking process in which oxygen is streamed into the wine as it ferments to soften it. Some feel this is cheating the traditional process (you would normally rack the wine, or move it from one barrel to the other thereby forcing air into the juice), but many others think it's a great way to improve wines by adding a measured amount of air into them to soften them. For mid-tier wines, it's just fine, personally.


Without further ado, let's get to it.
Georgetta and I sampled MANY wines. The Big House Red and White, Cardinal Zin, and four varietal wines that have recently been launched by the company. Given that there are seven wines, I'll just give the Cliff Notes on each rather than going into my normal detail:

We started with 2 whites:

The Wine: 2009 Big House White
The Grapes:
56% Malvasia Bianca, 22% Muscat Canelli, 18% Viognier, 4% Rousanne
Cliff Notes:
The grapes used for this wine are extremely fragrant, fruity, and floral varieties so the wine smells of melon, gardenia, pear, and peach. It's a big bowl of fruit and flowers. The palate is very soft, with lots of melon, pineapple, pear, and kiwi flavors. It also kind of tastes like honeysuckle and has a touch of sweetness.
Price:
$9.99
Drink or down the sink:
This is a very drinkable white, and great to keep on hand for a hot summer night when you need something light, cool, and refreshing. Georgetta's strength in harmonious blending is apparent here -- these varieties all share common threads but are generally not assembled, but this wine proves they should be! A great deal for $10.

The Wine: 2009 The Birdman Pinot Grigio
The Grapes:
82% Pinot Grigio, 8% Malvasia Bianca, 3% Muscat Canelli, 2% Viognier, 5% "other" whites
Cliff Notes:
This is a refreshing, silky wine with a burst of peach, nectarine, pineapple, and apricot fruit on the nose and the initial palate. The finish is smooth, but there's a little prickle of lemony acid and a hint of spice that gives this wine a bit of umph and makes it refreshing.
Price:
$14.99
Drink or down the sink:
I like this better than the Big House White. It's got more flavor, I like the acid, and I found it very refreshing. As we enter the hotter weather, this is a candidate for porch wine, and you'll find me with a glass for sure.

We then had 5 reds....

The Wine: 2008 Big House Red
The Grapes:
(there are 13, so I'll just list the top 4) 26% Syrah, 13% Petit Sirah, 9% Grenache, 9% Montepulciano
Cliff Notes:
This wine smells Italian to me, even though it only contains smaller amounts of Italian varieties. It's a very light, simple red that would be good with a slight chill from time in the fridge. It had a blackberry character, with some sour cherry and very light tannins and acid. Although I liked this wine, I have to say that I was expecting a little more. I tried Big House Reds pre-acquisition and it had a little more flavor and body. Hopefully this wine suffered due to a poor vintage ('08 was hot) and the 2009 will be better.
Price:
$9.99

Drink or down the sink:
I would drink this wine, but, as I stated, with some time in the fridge. It's a nice porch wine for people looking for something slightly heavier than a Rosé. It went well with my salad, so I think it would be a versatile pairing wine as well.

The Wine: The Lineup
The Grapes:
44% Grenache, 41% Syrah, 15% Mourvèdre
Cliff Notes: Dark fruit like blackberry, plum, and black cherry hop out of the glass and into your nose, not to mention a good dose of cinnamon, nutmeg, clove, and pepper. This wine is delicious -- it's like a berry cobbler and a cup of coffee. Georgetta sites that this wine is three different angles coming together -- "it's a wife, a husband, and their funny friend (that would be Mourvèdre)" that blend seamlessly.
Price:
$14.99

Drink or down the sink:
This was hands down my favorite of the entire line. A wine with great fruit, complex flavors that isn't too heavy. This is a wonderful wine and a great example of what the Central Coast of California can offer for a great price.

The Wine: The Slammer
The Grape: 100% Syrah
Cliff Notes:
Muted dark fruit, raisins, and bitter tannins with lots of saddle leather. The wine was slightly out of balance with a bit too much tannin and not enough fruit to weigh it out. It lacked a bit of the complexity that I enjoy in a Syrah.
Price: $14.99
Drink or down the sink:
Sorry Georgetta, this would probably be a down the sink for me. My love of the Lineup outweighs my distaste for this wine, which I found lacking in plush fruit, spice, and general power that I like in my Syrah.


The Wine: 2006 The Prodigal Son (nice play on words since Petit Sirah was kind of cast aside in France as being too rustic, but has returned and been welcomed home in Cali. See the Wikipedia article to learn about the Prodigal Son and get the reference)
The Grape:
100% Petit Sirah
Cliff Notes:
Georgetta described this wine as "dark, rich, and attractive" and she's right. Petit Sirah is a brawny wine, and this one proves that, but it also has a certain delicacy to it that I really liked. A simpler Petit Sirah than many I've had, this wine had nice chocolate notes and black, ripe fruit that burst forth from the glass into your nose and delivered on the palate. I liked the vanilla and caramel hints too -- this is from the American Oak the wine sits in for 12 months.
Price: $14.99
Drink or down the sink:
For hamburgers on the grill or barbeque/grilling out, this is a great casual wine and should be on the list.


The Wine: Cardinal Zin
The Grapes:
80% Zinfandel, 10% Mourvèdre, 8% Carignane, 2% Petit Sirah
Cliff Notes: I had this wine years ago and remember it being a big, rich, spicy, fruity Zinfandel. That's the kind that I love because if you're going to be have something fruit forward go big, or go home. Although I liked this wine, I just didn't think there was enough brambly raspberry, blackberry, and ripe plum fruit. The wine fell a little flat for me. I didn't find it fruity enough, nor did I find it spicy enough.
Price:
$19.99
Drink or down the sink:
This is a good wine and a great pairing for grilled meats. That said, I think I'd rather drink "The Lineup" listed above than drink Cardinal Zin. Maybe they could use a little more Zin in future vintages? I think the wine would benefit.


All in all I was very happy with the wines that I tasted with Georgetta Dane. Big House makes some great values and make high quality stuff.

The reason for the press tour is the launch of the Big House Octavin, an octagonal box of wine that holds about 4 bottles and stays fresh for about 6 weeks. It reduces emissions by 55% and waste by 92%, so it's environmentally friendly and great for those of us who are frequent sippers and sometimes forget to stop off to pick up a bottle.
I encourage you to try a few of these and let me know what you think! And for $25, you can be sure that I'm going to pop an box of The Birdman in our fridge for the hot Georgia summer that's inevitable... Readmore »»

Sunday, April 11, 2010

Part I: My Interview with Georgetta Dane of Big House Wines

I've met a few winemakers in my time. They are a funny bunch -- some really down to earth, some completely snotty, some as dull as watching paint dry -- just like any other group of people.

The thing that has always been slightly hilarious and perplexing to me, though, is the marketing of winemakers as if they are celebrities. For instance, the large winery for w
hich I used to work spent time and money making over winemakers, giving them new hairstyles and new clothes (and breath mints where needed) to make these half-artisan/half-chemist types into something their audience could relate to. I'm not sure this was the best use of time or funds -- as a public, I have a feeling we'd rather see them as they are and enjoy their wines based on the merit of their taste rather than some image the marketing department has conjured. May just be me though.

So when I had lunch with Georgetta Dane from Big House Wines/The Wine Group -- another big company -- I was, honestly, kind of wary. The wines are named so because the winery is across from a jail and the bottles feature very colorful labels. The web site is interactive and very marketing oriented. I wasn't sure what to expect. I was just hoping that I was going to have a pleasant lunch where I wasn't being told that Big House had better wines than Bordeaux, and Georgetta was a wild and crazy winemaker that everyone should love.


Wow, was I pleasantly surprised.

I arrived at the French-American Brasserie (great ATL restaurant, BTW) to find a young, attractive woman in great outfit (she had on a scally cap!) and a lot of class. This woman is cool, real, and smart as a whip. I loved her, and objectively, thought most of her wines were ridiculously under-priced and stuff that I would drink and recommend for casual sipping to anyone.


I didn't take a tape recorder, so I'll chunk this post out by topic and you can pursue whatever seems of interest...


Growing up in a USSR satellite and the role of wine

Georgetta is Romanian born, and while
she was growing up, the country was a satellite of the USSR. Although technically the country had sovereignty, it was really behind the Iron Curtain and was, for all intents and purposes, part of the Soviet Union.

The wines of Romania have historically been made of native grapes. Sadly, during Communism the focus moved from these beautiful indigenous berries to hearty hybrids that could pump out nasty bulk wine to feed the drunken masses.


With the breakdown of the Berlin Wall, Romania (which has a lot in common with Western Europe. In fact, Romanian is a romance language, which Georgetta told me was close to Portuguese and Italian) was in the process of figuring out how to produce premium table wines once again. In fact, before Georgetta left Romania, she and her husband had a wine-related business focused on boutique wines, so it seems there is a glimmer of hope that in the post-Communist era and there may be some cool stuff coming out of that country in the future.


How did Georgetta get to the US and come to work at Big House?

With a degree in food science from a prestigious Romanian university and an entrepreneurial
spirit, Georgetta found herself working for a winery in southern Romania. Things were going well.

On a fluke, Georgetta's husband, also a winemaker by trade, entered a lottery for a green card to the US, thinking he didn't stand a chance of winning. He did.

And a few weeks after Georgetta's daughter was born, the family packed up and moved to Monterey, CA, the only place in the US where they had a Romanian friend of a friend. Georgetta spoke no English, only a bit of French, and travelled with her husband and newborn around the world to her new life in a small apartment.


Arriving in the fall, right in time for harvest at Kendall-Jackson, Georgetta's husband started there and worked his way through the chain at several large wineries, exhibiting skill in the craft of winemaking. Georgetta got a job at KJ as well. Her ambition, smarts and creativity allowed her to shine. She quickly showed proficiency and a "je ne sais quoi" for blending wines. She was working at The Wine Group when Big House and Cardinal Zin wines were purchased from Bonny Doon Vineyards in 2008. She became the lead winemaker on both these brands.


What an American story!


Georgetta's winemaking philosophy

Big House Red and White are each blends of multiple varietals. Georgetta told me that at her first harvest, there were 42 grape varieties to choose from to go into the red and white blends (Big House Red & White).

That's an overwhelming number of wines to combine for most, but Georgetta relished the challenge. She has a very sensitive nose so that makes it easy for her to identify components that will combine in the recipe for a great product.


"Everybody brings something to the party," Georgetta says of her blends.

Georgetta's take on the differences between male and female winemakers

Georgetta cites that men and women can come at winemaking differently -- men view it as a science with precision and process, whereas women may view blending, especially, as more of an art. She joked that she tells the men at her winery "let me do the cooking!" which, given the value to quality ratio of the wines, seems to be good advice.

Talking Turkey: How does Georgetta feel about making wines at a lower price with kitschy marketing?

Maybe I shouldn't have asked this question, but I was curious and she was cool, so I did it (yikes, was that too harsh? I thought you guys may want to know this).


Her answer
was simple: she loves wine, and she couldn't work for a conventional, staid brand that made the same varietals year after year. She loves Big House because it allows her expression -- she gets to throw in a dash of this and a pinch of that into her blends and it's different each vintage. She is a little funky and eccentric herself and feels the brand is a great match for her. She's quite proud that they are such great value for the money. Making Merlot and Chardonnay year after year with no degrees of freedom would seem stifling to her.


I loved my few hours with Georgetta and thought she was terrific. I thought it would be a little overwhelming to post my mini-reviews of the wines here, so I've posted it in the next post. Please click on that one to learn about the wines!

For more information on Big House, please see their site: http://www.bighousewine.com/
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